• Trading

    Hidden Gems

    Don’t forget the bonus comics rotating through the left sidebar.
    Tap the top-left three bars menu to tune in.

  • Pattern Breaks,  Science Fiction

    When the Bell Rings

    Before the bell, the world is quiet. Then everyone wakes up at once.

    The open is not clarity. it’s compression. Orders collide, intentions overlap, emotions surface simultaneously.

    Learning to trade is not about moving fast. It’s about recognizing when speed is the risk,
    and patience is the position.

    The market moves on.

  • The Dreamer's Life,  Trading

    Premarket

    Morning enters the room quietly, sliding across wood and glass and settling on the desk before anything has decided to move. Outside, the oak still holds its winter leaves. Inside, coffee breathes, steam rising as the screens wake one by one.

    Nothing is required yet. Attention sharpens without effort. Price drifts, hesitates, tests its edges, revealing itself slowly, without insisting on meaning. This is the hour of selection and discovery, when structure begins to appear but certainty has not yet arrived.

    Before the rush, before the verdicts, there is this moment where attention settles, the day remains undecided, and everything feels possible.

    This is not anticipation. It’s familiarity. The quiet practice of showing up early enough to listen, when the future is still open and the work begins long before anything moves faster.

  • Pattern Breaks,  Science Fiction

    The Other Side of the Chart

    Most days, the market behaves. The chart is quiet. The room is familiar. Nothing feels out of place. Then the screen flickers. The same chart is there but darker, heavier, charged. Volume throbs like a signal. Price stretches in ways it shouldn’t. Nothing has happened yet. But somewhere, on the other side of the chart, the move is already alive.

    Some traders wait for confirmation.

    Others notice when reality starts to thin.

  • The 80s Tape

    Tape Over Noise

    Before the move existed, it left traces.

    Not in predictions,
    but in pressure.
    Not in certainty,
    but in repetition.

    The room believed one story.
    The tape was already telling another.

    To read the market is not to forecast the future,
    but to notice when a different reality
    is assembling itself.

    Read the tape.
    Ignore the noise.

  • Trading

    Clarity

    There comes a moment in every trader’s journey
    when the chaos stops being chaos.

    When the tape slows down, the candles stop shouting, and everything you’ve been staring at for months
    finally rearranges itself into meaning.

    It feels like the market didn’t change — you did.

    And in that instant, you realize you were never missing the signals.
    You were just still learning the language.

  • Mind of the Dreamer,  Trading

    Dust and Diamonds

    Some days it’s not just the market that beats you, it’s everything.

    You’re tired. You hesitate. The setup feels off. The platform lags. You miss the clean entry. You take the messy one. And then, it unravels.

    Today wasn’t about a bad plan. It was just… a bad day.

    But I’ll show up again tomorrow. Because that’s what traders do.
    We fight through the noise, the doubt, the dust.

    Dust doesn’t mean the end. It’s where the diamond begins.

  • Science Fiction

    Vault 404

    The charts still glow, even when the world doesn’t.

    No alerts. No fills. Just static on the screen and wind in the wires.
    But the Dreamer knows: conviction isn’t loud.

    You don’t always need a signal to know you’re in the right place.

    Patience is also a position.

  • The 80s Tape

    She’s Got That Edge

    There’s a kind of focus you can’t fake. A stillness in the chaos.
    A gaze that doesn’t flinch, only measures. Calculates. Waits.

    They noticed when she entered the room, but she wasn’t there to be noticed. She was there to read the tape like it whispered only to her. To find the rhythm inside the noise. To strike when momentum aligned, not for glory, not for noise, but because it was time.

    She doesn’t chase. She doesn’t boast. She just trades with that sharp, silent confidence that cuts cleaner than any headline.

    Call it Bette Davis eyes, call it conviction.
    Either way, she knows:
    Beauty fades. Momentum doesn’t.

  • The Dreamer's Life,  The Old House

    A New Life in Bloom

    The Dreamer just moved in.
    A house from 1887, full of creaks and character — and for now, boxes.
    She hasn’t posted much lately. She’s been unpacking… and exhaling.
    But the charts are still calling. The stories will return.

  • Mind of the Dreamer

    Tomorrow Starts Tonight

    Some nights, it’s not the market that keeps you up — it’s the anticipation.
    Or the habit. Or the pain.

    She used to be a night owl, the kind whose mind came alive in the quiet hours, ideas sparking long after the world went still. The late-night calm felt like freedom. But now, that same rhythm feels like a trap. Sleep doesn’t come easy, not just because of trading, but because the body won’t cooperate, the mind lingers, and the quiet is no longer restful.

    For traders, especially those who pour themselves into every candle and pattern, rest can feel like a luxury — or worse, a weakness. But the truth is: sleep isn’t time lost. It’s preparation. Recovery. A quiet part of the discipline.

    Because tomorrow’s clarity begins tonight.
    And every good decision starts with a clear mind — even if she has to fight for it.

  • Retro,  Trading

    To the Moon

    We choose to go to the moon.
    We choose to trade.
    We choose to rise each morning not to follow the path laid before us,
    but to carve a new one through charts, chaos, and resistance.

    Not because it is easy.
    But precisely because it is hard.

    Because this challenge, like the moon once was,
    measures the best of our discipline,
    the sharpest edge of our focus,
    and the deepest reserves of our will.

    Trading is no accident of fortune.
    It is a decision.
    A quiet, relentless choice to step beyond the world we were given,
    to reject the gravity of fear,
    to defy the pull of doubt,
    and to build, trade by trade,
    the life no one believed was possible.

    We study the patterns.
    We calculate the risk.
    We prepare not for comfort, but for velocity.
    And when the signal comes,
    we go.

    The launch is never smooth.
    There are days we fall.
    Days when we orbit failure, loop through hesitation,
    burn through capital and confidence alike.

    But still we return to the platform.
    Still we ignite the countdown.

    Because somewhere out there,
    in the thin air where only the bold survive,
    is a version of ourselves we’ve never met,
    waiting at the end of a dream that demanded everything.

    And when we break through,
    when we finally land,
    we will not be surprised.

    We will not call it luck.

    We will know that we are there
    because we chose to be.

    “We choose to go to the moon… not because it is easy, but because it is hard.” — John F. Kennedy, 1962

    Pairs well with the songs “The New Frontier” and “Take Me Higher” from the album The Moon (The Light Side) by Bliss n Eso, 2025

  • Mind of the Dreamer

    Patterns of Becoming

    To trade is to recognize patterns. To create is to generate them. In this comic, she does both—while generating a world in which she does both. She sits at her desk, composing a comic in which she appears, shaping the very lines that define her. She’s not just telling a story; she’s shaping the self that tells it.

    This is mise en abyme as a philosophy of becoming. A frame within a frame. A life reflected back through action. Like a chart looping on itself, creation and identity form a feedback loop: the more she renders herself as a trader, the more she becomes one—not because it’s fiction, but because it’s intention made visible.

    To make this comic is to take a position on who she is. So is taking a trade. Both require belief, timing, risk. Both are ways of saying: this is who I am—at least for now. She isn’t following a pattern. She’s composing one. Deliberately. Quietly. One panel at a time.